The Newburyport Blog

On Linden Square by Kate Sullivan, used with permission (press image to enlarge)

After a long, hard, often nasty Newburyport election 2013,  I found this book On Linden Square by Kate Sullivan (and, yes, it’s a children’s book) to be mighty refreshing.

Stella Mae Culpepper is the heroine of this tale, and she has watched her neighbors, but she has never spoken to any of them, and they have never spoken to her (sounds so New England familiar to me). Along comes a New England blizzard, and all that changes (and in the best of cases, is also so New England familiar to me).  And it looks like from the drawings in the book, that Stella lives in an historic city, not Newburyport, but a lot of bricks and stuff and New England homes (and of course I like that a lot).

And the author of On Linden Square, Kate Sullivan, has a wonderful project, the “Who’s Your Neighbor” Project, the “Write to Stella” project, or in my mind, “the neighbors and folks in Newburyport that I am so grateful for” project.

Instead of all the awful things about people, that seemed to come to the surface this election, to think about all the good things about neighbors and the folks around us, and write to Stella about one or more of them. Also anyone could have their child, children’s friends, grandchildren, students, nieces, nephews, neighborhood children write to Stella as well. And in return, Stella will send you, or whoever writes to Stella, a note back, and a postcard signed by of of Stella’s neighbors in the book, On Linden Square, your, or your child’s, grandchild’s, niece’s or nephew’s very own piece of artwork.  And your note to Stella, and a picture of your neighbor, if you draw one, or your child, niece, nephew, grandchild draws one, might also be featured on the book’s website, which is pretty cool.

Stella Mae Culpepper, used with permission, © Kate Sullivan 2013 (press image to enlarge)

So I’ve written to Stella about three of my neighbors (really and truly). I sent my notes by email, you or whoever could also send it by snail mail or through the book’s Facebook page.  And I and my neighbors can’t wait to see what we get back. And writing about what my wonderful neighbors do for me, our neighborhood and our city, a great feeling, let me tell you, especially after what often felt like a slimy, unpleasant, noxious, never ending Newburyport election.

You can see the “Write to Stella” about a neighbor project here.

You can see all about the book On Linden Square, by Kate Sullivan here.

And you can see Stella and On Linden Square’s Facebook page here.

PS. Kate Sullivan lives in Newburyport, and I’ve never met her (sort of like what happens in the book). And maybe a snow storm, or some other New England event might change that. And the only thing that I know, at this point, about Kate Sullivan is what I’ve read from her bio. The fact that her last name is “Sullivan” could be coincidence, or maybe just wildly ironic.

Here are the drawings of my neighbors that I got back from Stella!!

My neighbors at the Brown School Playground

My neighbor helping me with my driveway in a blizzard

And here is a drawing of Stella Mae Culpepper getting her hair cut by Newburyport’s very own Esther Sayer at Inn Street Barber.

Stella gets a haircut at Newburyport's Inn Street Barber

Both Jabberwocky Books at the Tannery and The Book Rack on State Street in downtown Newburyport, sell On Linden Square.

Photoshop Flight

I never, ever would have considered using other people’s images that are in the public domain in my art work, it would be plagiarism for me.  Plagiarism - I would have felt it to be “immoral,” “originality” the only acceptable device. But blogging, doing content for people’s websites, the World Wide Web has radically and slowly changed my whole idea of how to use images. Before starting the Newburyport Blog I never knew about stuff/images that are in the “public domain.”  I now bless the public domain, it makes what I do here and what other people do all across the web a whole lot more interesting. So why not use images that are in the public domain in my own art work? These are images I could never take, either because they are in a geographical location that I would never get to, or with equipment I would never buy.

Photoshop Bird 3 (thanks Bobby)

And photoshop (see earlier entry on fine art, painting in particular, going the way of the buggy whip and typewriter), what one can do in photoshop in a few minutes would take me years to do as a painter. It’s irresistible. So I’ve started experimenting. And how fun!! Like being in a candy store for this artist.  A photoshop take off, a lovely New Year’s present for moi.

I wonder to myself if contemporary art, like the stuff being painted today, like today’s fine art, has it, or is it going the way of the buggy whip and the typewriter? This is from a contemporary painter (and a good one!!) no less.

In the movie “Other People’s Money,” Danny DeVito’s character, Larry the Liquidator, a successful corporate raider, sort of, very sort of, like Mitt Romney’s Bain Capital, compares the company in question to the last buggy whip maker, technology having made buggy whips obsolete. No point in having a buggy whip factory around anymore.

Lots of things have become obsolete. Camera and film stores, Ritz Camera and Infocus in Newburyport, sayonara.

CD stores… adios.  Newspapers, alas, are going goodbye.  Patch-AOL here we come. HuffPost the updated, un-obsolete medium. Books, adios. Kindle, the Nook, IPad, cha-cha-cha.

The United States Post Office, oh dear.

The typewriter - gone with the wind.

Twitter and texting, yup. Complete sentences, TMI.

"Starfish," digital photo by 4eyesphoto (used with permission)

None of this is bad, it just is. Most of it is really fascinating. But what about the quaint idea of painting.  Photoshop, my love hate relationship with Photoshop, in my mind, has changed painting forever.  And for goodness sakes, any photo can now be put on canvas in an hour by places like CVS.

The thing that make my heart go pity-pat when I walk into a gallery, is really great digital photography. It reminds me of that now quaint painting style, Photorealism, one of the last contemporary art movements, that used to make my brain twirl. And there is some amazing digital photography being made.  The photo by 4eyephoto.com that gave permission to use their incredible photograph “Starfish,” to my son’s theatre company for their poster, a gorgeous example.

The quaint art of painting going the way of the buggy whip - reality??

Newburyport postcard, Plum Island Haystack, press image to enlarge.

It’s fall in Newburyport, and there are still farmers who in the marshes around  Newburyport and Newbury will create the iconic haystacks.  I know the readers of the Newburyport Blog enjoy old Newburyport postcards, and this one of the Newburyport marsh scene with the haystacks is so wonderful.

Rose and Fence © Mary Baker

I remember exactly where I was on 9/11, just like everyone else in America.

It was a bluebird day, much like today, and I was walking on my way to vote, it was voting day, when  I met someone I knew on talking on their cell phone looking perplexed and confused and shaking their head.  And then I remember walking down to the Tannery to pick something up, and everyone in the shop being completely silent, everyone was looking straight ahead and not saying a word.

It wasn’t until I got back home to my studio that I found out what was happening and then watching on TV seeing the unthinkable.  New York City is where I was born and raised, seeing the collapse and the lower part of Manhattan being engulfed. Luckily my family was located.  It was 3 months before I could semi function after that.  The country was utterly traumatized.

I always have thought as an artist, that subconsciously painters and other people in the arts work through traumas, and it wasn’t until after I painted a series of paintings, that I realized that they were about 9/11.  The 2 paintings here are 2 of what turned out to be a series.  2 fence posts, or columns, reminiscent of the twin towers, with life growing between them, showed up over and over in the paintings that I did in the years that followed, as America recovered from the anguish of that day, and started to bloom once more.

Yellow Roses © Mary Baker

These roses and fences were found and can still be found in the South End of Newburyport, in Newburyport’s Historic District.

Ever since Governor Romney announced his VP pick, (late Friday night during the Olympics??) Paul Ryan, I’ve been hyperventilating.  Really (unfortunately).

The issue, Medicare.  If Romney/Ryan squeak by in November, I’d squeak by under their Medicare radar before it turns into a voucher payment plan, but I’m still hyperventilating. Why?  I’ve paid my own health care cost as an artist from way back in the dark ages (”in the day,” maybe not quite that long), and to say I don’t trust the healthcare private insurance folks to do anything but look after their bottom line, without state and federal regulation, would be a vast, vast understatement.

(In 1990, I paid $340 a month for my son and myself, for GREAT health insurance. Today, here in Massachusetts, that kind of health insurance that we had, doesn’t exist for any price (that I know of). Something similar, but not really, would go for $2,165 (a month). For a family $3,545 (a month).  In New York State for a parent and child, a similar, but not really, insurance exists for $3,176 (a month). For a family, it’s a whopping $5,294.  How about those apples? And people think Massachusetts is bad!)

As an artist, I’ve been waiting for the day when I am relieved of the onerous burden of crazy individual $1,000 a month and rising health insurance premiums (and that’s cheap compared to a state like New York State, demonstration above), and having an offspring that has fallen right next to the preverbial artistic tree, I’ve always wanted that for him and his family as well - some sort of safety net, you betch’a.

Private Health insurance industry to regulate itself, no, no, no - dream land.

Medicare vouchers to keep up with health insurance cost, please, dream on.

That’s my main hyperventilation.  But the other, Mitt Romney was an old fashion Republican moderate  in Massachusetts (I know, I know, you know).  But with Paul Ryan, darling of the hijacked Tea Party, as his running mate, has he sold his soul? or was he lying way back “in the day?”  Not good either way.  To have someone so ideologically extreme on the ticket, unsettling and telling.

“…the only way for Ryan’s numbers to work would be to effectively eliminate nearly all non-defense discretionary spending, including not just much of the social safety net but infrastructure spending, R. & D. investment, federal support for education, air-traffic control, regulatory and public safety spending, and so on (editor’s note, moi - let’s not forget NPR and The National Endowment for the Arts). This would be, needless to say, a radical remaking of the federal government.  …it would basically return the federal government to something like its nineteenth-century role—and early nineteenth-century at that.” The New Yorker,  August 12, 2012, “Paul Ryan’s Budget Games.”

“More than three-fifths of the cuts proposed by Mr. Ryan, and eagerly accepted by the Tea Party-driven House, come from programs for low-income Americans. That means billions of dollars lost for job training for the displaced, Pell grants for students and food stamps for the hungry. These cuts are so severe that the nation’s Catholic bishops raised their voices in protest at the shredding of the nation’s moral obligations.

Mr. Ryan’s budget “will hurt hungry children, poor families, vulnerable seniors and workers who cannot find employment,” the bishops wrote in an April letter to the House. “These cuts are unjustified and wrong.”

It (the federal government) will not be there when the unemployed need job training, or when a struggling student needs help to get into college. It will not be there when a miner needs more than a hardhat for protection, or when a city is unable to replace a crumbling bridge (editor’s note, moi - or sidewalk).

And it will be silent when the elderly cannot keep up with the costs of M.R.I.’s or prescription medicines, or when the poor and uninsured become increasingly sick through lack of preventive care.  New York Times, August 11, 2012, “Mr Ryan’s Cramped Vision.”

So I’m hyperventilating for my offspring and his family’s future, much less my old age, should I get to live that long, should this pair get elected in November.

“..the Ryan budget is a plan that forfeits the future and global leadership to China.” Steve Clemens, The Atlantic, August 13, 2012.

I’m liking this whole Newburyport Local Historic District (LHD) mess as a musical (see previous post).

It could open with a Tom Salemi, one of Newburyport’s esteemed bloggers, character singing a solo, “Keep it Classy” (based on Tom’s great essay, “Take the Bagels, Leave the Petition,”on Newburyport’s LHD in Newburyport Today).

The stage is dark except for Tom’s character,  and then in the background, lights come up come slowly, we have two ladies in front of an establishment handing out fliers.  Their musical number is called “Fines, Fines, the LHD will Bankrupt You.”

And huddled at the front of the stage are preservationists (Newburyport preservationists tend in general to be meek and mild, “fierce” is not an adjective I would give to most Newburyport preservationist. “Fierce” goes good with some of the the anti-LHD folks, but not most preservationists, so that’s why they are huddling).  Lights come up slowly on them, and their musical number is, “It’s not True, It’s not True, It’s a Lie.” (Clearly this will be an ensemble piece.)

So Tom’s character is singing “Keep it Classy,”  while the two anti LHD women are singing “The LHD will Bankrupt You”, and the Newburyport preservationist are singing “It’s not True, It’s a Lie.”  And then everyone freezes, you know the way they do on stage.

Mark Twain

And what I’m picturing here is having someone dressed as Mark Twain, maybe with a sign hanging across their chest so the audience will get it, walks on stage, spot light on him, everyone else is dimmed out.  Doesn’t sing, just looks at the audience and says, “A lie can travel halfway around the world while the truth is putting on its shoes.”

The Mark Twain character walks off, and the Tom Salemi character sings one last  line of “Keep it Classy?” with a question mark in his voice, and then the lights fade out on all the characters. (Irony here, how elitist!!)

First possible scene of the new possible Broadway hit, “LHD-Bombshell,” (still a working title-the “Smash” thing again, see previous post).

My lovely young theater friends in NYC hate the TV program “Smash.” (I am secretly addicted to “Smash,” don’t tell them-truly they will be offended!!)

I suppose for them it’s a little like me watching Bravo’s “Next Great Artist,” The TV show reminds me of an advanced art class in college (not even grad school).  But, whatever quality the art may be, or how “unrealistic” the “reality” process may be, the press and the buzz probably helps whoever like crazy in their career, that’s just the nature of the biz, at least in my world.

So my NYC theater friends may be addicted to Bravo’s art stuff, who knows.

But thinking about “Smash,” I kept wondering, too bad someone couldn’t do something with all this Newburyport Local Historic District (LHD) drama. Historic preservation may be boring (this is certainly the first time in the 31 years I’ve been here that it’s gotten this much attention!!), but my, we’ve got a lot of great characters, on both sides, and mucho drama. A LHD sensation!!

On the pro side we have Jerry Mullins who has outed himself recently as the P.Preservationist.  Jerry is dedicated. All that dedication makes some people just uncomfortable, positively squirm.  But through all of this LHD stuff, one of the great gifts is that I’ve gotten to know Jerry Mullins, and he’s my new bff.

On the anti side, we’ve got great characters.  We got one of the leaders, on tape, accusing the mayor and the Local Historic Study Committee of secretly meeting, and implying that they are engaged in illegal acts. You can’t make this stuff up. What a TV writer wouldn’t give for this!

We’ve got the John Birch Society messed up in this LHD stuff.  If you were a fiction writer, no one would believe you.  It’s yummy.

We’ve got a colorful Bossy Gillis character from Plum Island, telling people, on tape again, that LHD (like it’s some sort of terrible medical disease) will control you. The LHD has nothing to do with Plum Island.  It’s not on Plum Island.  Bossy Gillis is alive and well. How cool is this? Wowza!!

And then you have the somewhat deer stuck in the headlights Local Historic District Committee caught in the shit storm. It’s almost like you can hear them saying, “Say what??” (We’ve got a chorus number here in the making.)

And a newspaper person declaring really, really early on that the LHD is already lost in a messy defeat .. Honey, this is at least a 4 part play.  A little speedy on the getting to the conclusion thing, don’t you think??

Marilyn Monroe

It’s a musical in the making.  We could make preservation history in Newburyport.  Can we ramp it up a little more?  Let’s really go at this full throttle. Let’s make history, let’s make this whole LHD mess worthy of a TV sitcom. I’ll take Broadway. Or it could be a TV drama (I’m not fussy here) about Newburyport’s LHD being a Broadway musical-just like “Smash,” only it’s about historic preservation not Marilyn Monroe. TV and Broadway. Is that fun or what? (And I bet my lovely young NYC theater friends would watch it!) Think casting, Newburyport Blog readers, think casting. (I’m sure everyone’s brains, for or against, are turning on the casting thing… now, don’t be mean.)

Green Theatre Collective at Sylvester Manor, Shelter Island, NY, As You LIke It (press image to enlarge).

They did it. Green Theatre Collective (GTC) raised $10,000 in 4 weeks.  Oh me of little faith.  And that means that this eco-theater company with its roots (pun intended) in Newburyport, can gather the just plain old lovely young men and women who made up the company last year, and go for it again this year, this time with Shakespeare’s romantic comedy, The Tempest.

And GTC had its maiden voyage right here in Newburyport, Massachusetts, sponsored by Theater in the Open, in a gorgeous setting for Shakespeare’s As You Like It at Maudslay State Park last summer.  With a big thank you for a plug by Tom Salemi  at Newburyport Posts and JC Lockwood at Newbuyrport Arts, along with the Newburyport Daily News and the Newburyport Current.

Ok, its personal. The GTC founder and Executive Producer is my son, Hal Fickett, who got his education right here in Newburyport, Massachusetts (yes, we do have great schools that are most worthy of our support).  And the first performance was dedicated to most beloved Newburyport High School theater teacher, Suzanne Bryan and all Newburyport educators (those graduates do appreciate you folks!).

Am I proud and excited for this young eco-theater company.  You betcha!

Green Theatre Collective at Maudslay State Park, Newburyport, MA, As You Like It (press image to enlarge).

Martin Johnson Heade, "Haystacks on the Newburyport Marshes"

Painting by Martin Johnson Heade, “Haystacks on the Newburyport Marshes, 1862, Oil on Canvas,  25″ x 50″  The Walters Art Museum, Baltimore, MD.

Another amazing image of the Newburyport marshes by Martin Johnson Heade.

On the Mill Stream at Newburyport Massachusetts, Alfred Thompson Bricher, press to enlarge.

I found this absolutely gorgeous painting of what must be the mill stream out by Curzon Mill.

The painting is called “On the Mill Stream at Newburyport Massachusetts,” the date is unknown, and it is by Alfred Thompson Bricher, who lived from 1837-1908.

Salt Marsh Hay by Martin Johnson Heade

Martin Johns Heade, 1819-1904, Salt Marsh Hay, c.1865, Oil on Canvas, 13″ x 26″, Butler Institute of American Art, Youngstown, Ohio

Frank Thurlo,1828-1913, watercolor of Newburyport's Chain Bridge

Every now and again the Newburyport Blog goes on a fun hunt.  In 2007 I went on a hunt for all the stuff I could find about Newburyport’s historic gardens.  And in 2012 it looks like I’m going on a hunt for Newburyport historic paintings.  How fun.

And in my hunt, I found another painting by Frank Thurlo, a watercolor of Newburyport’s Chain Bridge.  And you can see the same boat that Frank Thurlo had in the previous painting (see previous post), as well as the birds.

And Frank Thurlo was what we would call a true “native.” Frank Thurlo was a descendant of Richard Thurlo, a native of England, who held land in Rowley, MA in 1634 and moved to Newbury in 1651.  He was the son of Moody and Ann (Little-there’s that old name again) Thurlo, and went to the Brown High School in Newburyport.

Frank Thurlo lived from 1828-1913, and lived and died in Newburyport, MA . And all the images of his paintings are in the public domain.

Frank Thurlo, 1828-1913, watercolor on paper, Plum Island River, 4 1/8" x 12 1/8" , click to enlarge

Thurlo is an old Newbury name, and in my search for paintings in the public domain of Newburyport I came across this painting.

The Painting is by Frank Thurlo who lived from 1828-1913. It is a watercolor on paper, of Plum Island River and Marshes,  4 1/8″ x 12 1/8″. And it is signed lower right. You can click the image to enlarge.

Martin Johnson Heade Sudden Showers, Newbury Marshes, c 1865-1875

Martin Johnson Heade, “Sudden Showers, Newbury Marshes,” c 1865-1875, Oil on Canvas, 13.25″ x  26.31,” Courtesy of the Yale University Art Gallery, Yale University, New Haven, Conn. (Press image to enlarge.)

Another amazing painting of the Newbury marshes by Martin Johnson Heade, thanks to Wikipedia (see previous post). The image is in the public domain.

I‘ve spent decades painting the marshes around Newburyport, and Heade is one of my all time favorites artists.  And this reminds me of the marshes along Rt 1A between Newburyport and Rowley.  A real treat for the Newburyport Blog.

Sunlight and Shadow: The Newbury Marshes (c. 1871-1875) Martin Johnson Heade

Sunlight and Shadow: The Newbury Marshes (c. 1871-1875), Martin Johnson Heade, Oil on canvas, Size: 12″ x 26.5″ John Wilmerding Collection (The National Gallery of Art (Washington, D.C.)  Press image to enlarge.

People end up on the Newburyport Blog all the time looking for pictures and photographs of Newburyport.  And it is always so much fun to find another extraordinary image of this beautiful place.

"Hunter in the Meadows of Old Newburyport, Massachusetts" by Alfred Thompson Bricher, click to enlarge

(If you click on the painting by Bricher, the image will enlarge)

I have never seen this gorgeous painting of a “Hunter in the Meadows of Old Newburyport, Massachusetts,” by Alfred Thompson Bricher c. 1873.  It’s oil on Canvas, 22″ x 44″ and the image is courtesy of  Wikipedia, and is now apparently in the public domain.  What a treat.

“The scene appears to be in the vicinity of the Little River. Route 1 offered the major overlook easily accessible to artists. In the far right can be seen the ridge of the right bank of the Merrimack over which High Street runs. Cattle have been turned into the marsh for pasture, a practice still allowed on some marsh farms of the area.”

“Many locals know her only as the author of the Newburyport Political Blog. But the political junkie that is Mary Baker Eaton is also an accomplished artist whose work has appeared at prestigious New York City galleries and can be found in private and corporate collections across the country.

And, now, her readers ‑ and everyone else ‑ finally will be able to see her artwork up close, as Kerim Kaya, owner of Kaya Jewelers downtown, presents her paintings through Dec. 31.

The exhibit marks her first major local showing in 10 years, and the quirky Eaton, surrounded Monday morning by her exquisitely detailed paintings of Newburyport scenes, took every opportunity to promote her good friend, Kaya.

“This is a great way for two business people to get together,” she said, leaning against one of the jewelry display cases. “I help Kaya. Kaya helps me. Every time I tell someone about the show, I tell them, ‘You should come in and buy your significant other or yourself a nice piece of custom-made jewelry for Christmas…””

“…The paintings on display showcase Eaton’s love for the natural beauty of the community where she has lived for the past 30 years. A contemporary realist painter, she captures, with lifelike precision, the stillness of the Plum Island marshes, the petals of a bright yellow iris in the South End, apple blossoms clinging to a brick wall at the old gardens at Maudslay State Park and the Common Pasture, its vista unchanged by centuries.”

“Putting things in perspective,” by Ulrika G. Gerth, © The Newburyport Current, November 6, 2009

Blue Morning Glory, Oil on Panel, © Mary Baker

Kerim Kaya, a long time friend and owner of Kaya Jewelers, approached me about a month or so ago and asked if I would like to show my paintings in his gorgeous jewelry store, Kaya Jewelers, 41 State Street, on the corner of Essex Street. My response, especially in this economy that has hurt the arts so much was, “What a great idea!”

The show is up for all of November and December, and the reception is this Saturday, November 7, 2009 from 6 PM-9PM. Please stop by and say “Hello.” And do be sure to buy yourself or your significant-other a beautiful piece of jewelry for the holidays.

You can read the rest of the story in the Newburyport Current here.

Watch the larger YouTube video here

A shameless promotion of my son, Hal Fickett (see many earlier entries), a native Newburyporter, actually born here, a graduate of Newburyport High School, and his new YouTube music video.

The photo to the left is a sculpture by Michael Alfano, “Peace Offering,” that is currently in the Somerby’s Landing Sculpture Park in Newburyport, MA. If the ticket booth is moved by the Newburyport Waterfront Trust to the Somerby’s Landing Sculpture Park, this is location where it would go (we hope this does not happen).

This is the corner of the sculpture park where so many people come and sit, talk, wonder, gaze at the mighty Merrimac River, as well as watch their children play in the incredibly sculptural and climbable tree at that corner, which is pictured in the previous post.

To quote from the Sculpture Park’s website: “On exhibit for another year is a nearly six foot wide resin bench, “Peace Offering” by Michael Alfano that graces one corner of the park. The dove conveys the hope for peace, its tail transforms into a hawk, representing hostility. The dove’s wings become open hands, which might be ours, in an asking, a weighing, or an offering pose. Or they might belong to a larger force that welcomes two people to sit down and discuss their differences. This sculpture represents some of the many aspects of attaining peace. It is a expression of Michael’s Soka Gakkai Buddhist practice, with the intention of contributing to peace and culture.

Following this year’s extended stay at Somerby’s Landing Sculpture Park, “Peace Offering” will be purchased for installation on the Clipper City Rail Trail.”

(Just as a note–for those people complaining about the money that has been given to the Clipper City Rail Trail, instead of going to a myriad of other things that Newburyport desperately needs, grant money for the Clipper City Rail Trail for things like “art,” etc. comes from a completely separate gene pool than money allocated for the myriad of other needed stuff.)

I’d hate to think that moving the ticket booth to that reasonably “sacred” space would be anything than the slightest and most passing notion by the Newburyport Waterfront Trust, one that would pass as fast as a sea breeze whisking past Somerby’s Landing Sculpture Park in Newburyport, MA.

(The photo of the sculpture by Michael Alfano, “Peace Offering” is copyrighted by Artfluence, and is used with permission.)