Self Portrait, New Digital Project — Doubt, Fear and Confidence and the Art of Waiting

Self Portrait © Mary Baker
Self Portrait © Mary Baker

There are very few photos of me on the internet. In 2013 I did this self-portrait.

I am of the firm belief that art is very much connected to the unconscious, and in some ways I think of art as the unconscious made manifest.

I created this self-portrait back in 2013, and I look at it now almost 3 years later and wonder what it tells me about what was on my mind.

At the time I had been experimenting with digital images for 3 or 4 months, and it became clear that if I was going to get serious about the endeavor that I had better get myself a very good digital camera.

The portrait was taken after the camera arrived, and maybe captures both my excitement, and fear about this new artistic beginning, and also a resolute determination on one level to explore it and have fun, and I think subconsciously on another level, a determination to make it work. A big investment in this undertaking — good digital cameras are not cheap.

As a professional artist I know that creating has a certain rhythm.  In the beginning it’s a lot like a love affair, everything is exciting, everything is new, nothing could possibly go wrong, the possibilities are endless. And then at some point reality sets in, relationships are complicated and have their ups and downs. It’s the same way with the artistic process. It’s  the same way with this new digital project now in its 4th year.

With every body of work that I’ve created over many decades I always run into a period where a) I don’t know if it’s any good and b) I’m not sure what to do next.  At that point I’ve always worked on something else and I’ve learned to wait. A friend once said to me, “If you don’t know what to do, do nothing.” As far as I’m concerned this applies to art in a major way. Wait, sleep on it, and sometimes — quite often, it’s a very long sleep on it, and sooner or later, I end up knowing exactly what to do. This has worked for me for well over 40 years.

So in this new digital project I am in the “a) I don’t know if it’s any good and b) I’m not quite sure what to do next” phase. And from experience, I know to wait. I can feel that I’m just about to figure out what to do and move forward, but the pieces haven’t quite fit together yet, but I’m pretty sure they will, because decades have taught me that they always do.

So I look at this self-portrait that I did 3 years ago and it tells me that yes there is a certain doubt and fear about this new art prospect, but also a confident determination that after a long winter of not knowing, the spring of artistic progress has always arrived, and that sooner or later the winter snows will melt and I will know exactly what to do next.

How the Digital Images Would Look Like in a Room

I’ve always loved the idea of medieval triptychs–paintings that are divided into 3 separate pieces. And I’ve always been intrigued the way Andy Warhol used multiple images that worked together.

Digital images over a couch
Digital images over a couch

One of the things that I have in mind for this new digital/prismacolor series, with large skies with landscapes on the bottom, is the ability to mix and match the images.

They could be used separately, they are 9″x 12″ unframed, which is a perfect size for let’s say between two windows.

Digital images between windows
Digital images between windows

However, they could also be placed three together, over a couch or mantle shelf.

So I’ve “imagined” how they would look like framed over a couch, and between three windows.

Digital Images, Painting with “Spray Paint” Brushes, and the First Digital Portrait

Gina, digital image
Gina, digital image, © Mary Baker

Somehow along the way on this new digital experiment that I had set out for myself, I discovered these amazing digital brushes. In Photoshop I could paint with “spray paint” brushes. Another “Wow,” “eureka,” “really??” moment. And I kept thinking of all that street art that I discovered (see earlier post), especially the street art by the South African artist Faith47, and maybe, just maybe I could incorporate some of those techniques, but in a digital format.

I took a photograph of my gorgeous daughter-in-law Gina, way before I ever knew that she would be my daughter-in-law, and I started to experiment with that photograph.

My thought was that I didn’t want the image to look like a photograph, and I didn’t want it to look like a painting, I wanted people to look at the image and think, “I’m not sure what that is?” And the portrait of Gina, done in the late winter of 2013 turned out to be another “eureka” moment in this digital enterprise, and another turning point, where I realized that this new digital medium had unbelievable potential. And creating in this new digital development became more exciting than ever. I could not wait to find out what could be next. It had been a long time since I was this excited and this curious about creating artwork.

The digital image below is of my son Hal and his new bride, Gina, on their honeymoon.  Hal and Gina took the original photograph.

Hal and Gina, digital image
Hal and Gina, digital image, © Mary Baker

Why the New Digital Media – Marketing Expert Hal Fickett

My son, Hal Fickett, who is a marketing and social media guru, with clients like best selling New York Times author Frank Schaeffer, is helping me to articulate why I’m so driven to try this new medium over traditional painting.

Hal Fickett
Hal Fickett, Mary Baker © 2013

This is a digital image of Hal.  Hal Fickett’s marketing website can be found here at